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    © 2016 by Designs By Bolaji.

    art.

    A Tribute to Ailey Color Mosaic
    A Tribute to Ailey Color Mosaic
    Acrylic on Canvas
    4ft x 5ft.
    Available for Purchase

    Smaller Canvas sizes may be commissioned.
    Prints Available.
    Did You know that Black Women Could Fly
    Did You know that Black Women Could Fly
    Acrylic on Canvas
    4ft x 5ft.

    Available for Purchase

    Smaller Canvas sizes may be commissioned.

    Prints Available.
    Untitled
    Untitled
    Tribute to Ailey Series
    Acrylic on Canvas
    4ft. x. 5ft.

    Available for Purchase

    Smaller Canvas sizes may be commissioned.

    Prints Not Available.
    Tribute to Ailey: Word Art
    Tribute to Ailey: Word Art
    Acrylic on Canvas
    4ft x 5ft
    Original Sold to Pforzheimer House at Harvard College

    May be Commissioned.

    Smaller Canvas sizes may also be commissioned.

    Prints Available.
    A Tribute to Ailey Liberation
    A Tribute to Ailey Liberation
    Acrylic on Canvas
    4ft x 5ft.
    Original Sold

    May be Commissioned.

    11 x 17in Prints Available.
    Blue Blossom
    Blue Blossom
    Acrylic on Canvas
    16 x 20in
    Sold.
    May be commissioned.

    11 x 17in Prints Available.

    As she dances her way to freedom breaking free from the chains that tried to hold her, she blossoms into the fearless woman that she was always meant to be.
    Mia
    Mia
    Acrylic on Canvas
    16 x 20in
    Sold.
    May be commissioned.
    11 x 17in Prints Available.
    Copper Duet
    Copper Duet
    Acrylic on Canvas
    16 x 20in
    Sold.
    May be commissioned.
    11 x 17in Prints Available.
    Joy Comes in the Morning
    Joy Comes in the Morning
    Acrylic on Canvas
    30in x 40in
    Sold.
    May be commissioned.
    Green Leaf
    Green Leaf
    Acrylic on Canvas
    16 x 20in
    Sold.
    May be commissioned.
    11 x 17in Prints Available.
    Nea Ope Se Obedi Hene
    Nea Ope Se Obedi Hene
    Acrylic on Canvas
    4ft. x. 4ft.

    Nea Ope Se Obedi Hene meaning
    "he who wants to be king" is the Ghanaian adinkra symbol of service and leadership

    It comes from the expression "Nea ope se obedi hene daakye no, firi ase sue som ansa" meaning "He who wants to be king in the future must first learn to serve."

    Available for Purchase

    Smaller Canvas sizes may be commissioned.
    Denkyem
    Denkyem
    Acrylic on Canvas
    4ft x 4ft.

    Denkyem or "crocodile" is the Ghanian Adinkra symbol representing adaptability.

    The crocodile lives in the water, yet breathes the air, demonstrating an ability to adapt to circumstances.

    Fun Fact: This piece was used as the art work for the album "Liminal Minds" by Obasi.
    Show More

    about.

    Designs By Bolaji

    Designs by Bolaji is an art consultant company that creates and celebrates diasporic art. We bring art from the African Diaspora to Universities, Businesses, and various other organizations.

     

    We believe deeply in social entrepreneurship and pursue social justice by hiring formerly incarcerated youth to create art. Since the owner is currently enrolled in Law School, the activism portion of the buisiness is suspended. However, we look forward to hiring youth in the near future.

     

    When active, our youth will be paid not just to create art, but to pursue an education so that they can transition well back into society and earn money to rebuild a life post-incarceration. The program lasts for 2 years and is designed to equip youth with the understanding that is necessary to pursue self-determination. The end goal of the 2 year employment program is a deeper awareness of self and societal injustices, healing, and Industry Placement or Higher Education in the form of College or Vocational Education dependent on each youth. Our work study aspect of our employment includes Roots Programming, African Language Acquisition, and Civic Engagement. 

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    Roots Programming

    For the sake of self determination and greater awareness of self, youth will learn about Black History from the inception of this country through Reconstruction, Jim Crow, and Current events reading authors including but not limited to W.E.B. Du Bois, Martin Luther King Jr., Sojourner Truth, Malcolm X, Ta Nehisi Coates, and Michelle Alexander.

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    African Language

    In order to pursue a global perspective, each youth will be given the opportunity to choose to study an African language one-on-one with a college mentor. Languages may include Yoruba, Hausa, Swahili. We are working towards potentially planning a trip for each youth to the country whose language they've studied at the end of the two year program.

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    Civic Engagement, Life Skills, & Community Service

    In order to encourage civic participation and intellectual engagement with society - at - large.  Our youth participants are also taught life skills including financial literacy courses, interview skills, time management, conflict resolution, and stress management skills. 

     

    Youth will also be taught about civic engagement and required to do community service in a placement of their choosing.

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    Mentorship

    Each youth will be paired with a college mentor to help aid in their reintegration back into society and to invest in their academic development.

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    Biography

    Bolaji Ogunsola is a Nigerian-American from Baltimore, MD. She has lived in Cuba, Brazil, and Nigeria so she is Baltimore style with Nigerian flair accompanied by Cuban and Brazilian rhythms.

     

    She graduated with an AB in Sociology from Harvard College in 2010 and a Master of Divinity from Harvard Divinity School in 2014. 

     

    She spent  11 years living  in Boston, MA where she worked as a Summer Director of Programs at the Phillips Brooks House Association in Harvard Yard and also served as staff support for the Youth Prison Tutoring partnered with the Judge John Connelly Youth Center. Additionally, she was a Teaching Fellow at Harvard Divinity School and is the Lead Organizer for the Sankofa Black Business Collective where she established a long-term partnership with the Harvard Black Law Students Association and Black Lives Matter Cambridge.

     

    Bolaji is currently lives in NY and is enrolled in Columbia Law School where she is focusing on criminal justice. She will receive her JD in 2020. She seeks to live at the intersection of art, faith, justice, and healing. 

     

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    In her own words:

    "I am a growing artist who paints furniture. I’ve been interested in art and design for a while now. I started sketching in middle school and continued on and off as a hobby through high school. I designed jewelry for friends and family members using beads or painted mussel shells. When I got to college, I stopped making jewelry and the only sketching that I did was in the margins of my papers while taking notes for classes, besides a huge butterfly that I painted one day on my bedroom wall—I’ve always loved butterflies. At the end of my Master’s program, in the midst of writing my final papers, I found my way back to art through a different medium—furniture.
     
    Honestly, I painted my first table as a result of having acquired a hideous pale blue table that clashed with the color scheme of my apartment. I decided to spray paint the table black. After butchering the spray-painting job, I decided to cover my errors with a design—a butterfly. This was the genesis of my furniture-painting journey."

    Artist's Statement 

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    What is the relationship between art and beauty? What about art and truth? What is beauty? What is truth? Where does art belong? Where does beauty belong?
     
    These are the questions that I am pursuing as I create art.
     
    Where does art belong?
     
    My canvases are unorthodox. I paint furniture. I paint furniture because it is unexpected—it is not a place, for many reasons, that art is thought to belong. I want to challenge the way that we think about art and where it can be located. I would like to be part of turning ordinary pieces of furniture  into masterpieces.
     
    What is beauty?
    I find joy in painting black women in brilliant and bold colors because for so long our beauty has been questioned—we have not been thought to be nor have we often been represented as beautiful. In painting black women, I hope to affirm our beauty.
     
     
    What about art and beauty?
    My hope in painting is to combine colors to create pieces that leave my viewers visually mesmerized and in awe—that is to say, to create beauty. I believe that in a world that feels overwhelmingly dark at times and where it is easy to become hardened by cynicism and slide into a space of despair, the creation of beauty is important. If there is still beauty in the midst of ugliness then perhaps, there is hope. And if there is hope, then maybe we’ll begin to think, from whence does a true and enduring hope come from? For me, my deepest hope comes from a belief in a God of love, justice, healing, and redemption. He is the original Creator who spoke and it was. While I am painting, I am usually praying. I hope that my art reflects that I am an image-bearer of the Most High and I hope that as people gaze upon the beauty of the pieces that I create, that people will somehow feel cared for—that they’d feel loved.

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    Exhibitions & Shows

    Solo Exhibition: Art Installation in The Harvard College Women’s  Center 

    Solo Exhibition: Art Installation in Pforzheimer House, Harvard University, 2015-2016

    Gallery Feature: Dr. Walter J. Leonard Black Arts Festival at Harvard University, February 2015

    Solo Exhibition: Our Bloc Conference, November 2015

    Solo Exhibition: Sexual Assault, Faith & Healing Movie Screening & Interfaith Panel Conversation, March 2016

    Smith College, Self-Love Symposium, March 2016

    Solo Exhibition, Smith College, April 2016

    The Harvard Phillips Brooks House Association Summer Urban Program Auction, April 2016

    New Profit's Conference Pipelines for Purpose: Diversifying the Social Sector for Greater Impact, April 2016

    MIT Art Exhibition, May 2016

    Solo Exhibition: The Boston Black Arts Music Festival, June 2016

    Solo Exhibition: Harvard Black Law Students’ Association, October 2016

    The Dorchester Open Studios, October 2016

    Solo Exhibition: Our Bloc Conference, Building Black Legacy, November 2016

    The Sankofa Black Business Pop-up in Harvard Yard, November 2016

    Harvard African Law Association Empowering Africa by Empowering Women Benefit Dinner, November 2016

    Solo Exhibition: Tufts University, African Students’ Organization, November 2016

    Harvard University, Cabot Cafe, January 2017

    Solo Exhibition: The Harvard African Student's Association 40th Anniversary Royalty: The History of the Empire, March 2017

    Harvard Law School, Harvard Black Law Students' Association Spring Conference: Black Brilliance, Black Joy: A Celebration of Business & Culture, April 2017

    Columbia Law School, The Black Law Students' Association 24th Annual Paul Robeson Conference, The Way Forward: Living in Power, February 2018

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    Publications

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    For Harriet The Culture. “Get Your Hands on One of these dope pieces from Designs by Bolaji,” June 2014

     

    The Root. “50 Gift Ideas from 50 Black Owned Businesses”, December 2014

     

    Afropunk. “Feature: Unorthodox Canvases: Furniture Painting by Bolaji Ogunsola”, April 2015

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    contact.

    info@mysite.com

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